How to pronounce azonto? Alex US English. David US English. Mark US English. Daniel British. Libby British. Mia British. Karen Australian. Hayley Australian. Natasha Australian. Veena Indian. Priya Indian. Neerja Indian. Azonto evolved out of a traditional dance called Kpanlogo.
Both genres involve a set of coordinated hands and feet movement that incorporate into dance, expressions of everyday activities and bawdy gestures, with the intent to amuse.
It renders a playful depiction of ordinary events and activities such as washing, driving, boxing, grooming, praying, swimming, etc. The dance unlike its predecessor, allows for a great deal of improvisation. It is mostly performed in pairs but also admits solo performances and permits a wide scope for self-expression.
Azonto, tells a story, it presents to us enigmatic fragments of youth experiences in Ghana. It could be considered as a parody of youth experiences, that also celebrates life and communal wellbeing. The Ghana commission upon realizing the unifying quality of this dance form fostered the creation of an Azonto Ghana Commission, which uses the dance to promote peace and unity amongst Ghanaians from all walks of life. The azonto dance commission fulfills this by organizing popular arts and entertainment around Ghana and provides support to groups and individuals that use the dance to reach out to communities in Ghana.
Where its forebear kpanlogo has strictly remained in the cultural ownership of the Ga people of Accra, azonto on the other hand plays on a wider national identity. It transcends all ethno-cultural identities and welcomes various interpretations in its performance. Its national affiliations also extend beyond the physical territories of Ghana. The dance has struck a chord with Ghanaian youth in the diaspora, and like a call to arms, many have taken to the streets and public spaces to reassert their national pride.
Written by Jessica Kariisa. By nature, the driving force of an Afropop tune is its incredibly danceable rhythm. Over the past decade, many artists have democratised this critical element — and hedged their bets on a viral hit — by creating dance videos nearly anyone can follow. The dances are often very simple at the base level, with freestyle options that have the potential to catapult a song and a dancer to new heights.
With endless ways to showcase individuality, there is no "right" way to really do any of the dances. Instead there are a million different ways, opening up room for every flavour of dancer to shine — young or old, trained or untrained, comedic or serious, everybody has their own interpretation.
These dance crazes, like the pantsula and bhenga dances inspired by kwaito and gqom respectively, have also played a significant role in bridging the gap between the homeland and the diaspora, as the visceral language of dance cuts through what often gets lost in spoken word.
While some dances are inextricably tied to a song, others have transcended their origins, even spawning sub-genres of Afropop focused purely on music for the dance. The evolution of Afropop Read on for our essential guide to the …. Read Story. Azonto Following the release of Sarkodie and E. The basic movement involves one leg planted while twisting the other leg on the ball of your foot to the beat.
In addition, the basic moves of this dance revolves around imitating daily chores such as ironing, driving, washing, swimming, boxing etc. Furthermore, similar to most other African dances the Azonto also involves a few complex and acrobatic body movements.
Apparently this dance style was developed in Ghana via imitation of moves involved in daily chores such as ironing clothes, washing, boxing, swimming etc.
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